REPOST: The Speakeasy One Piece Podcast

A special repost for the Manga Moveable Feast on One Piece. Finally, it is getting the love it deserves!

Drink #003: Coconut Monkey, Can you feel the One Piece love?

I will mercifully refrain from singing modified lyrics to one of Elton John’s contributions to the Lion King soundtrack and merely ask in written form why is there not as much love for One Piece in the U.S. (and most of the English-speaking fandom) as there is in Japan. How does the number one shonen franchise in Japan become a third tier property here? We will be looking at One Piece’s popularity in Japan, why it is so good, and what we think is holding it back. Let go on a voyage to find the answers to . . . One Piece!

(Listen) (Show Notes)

One Piece: Nakama are Stronger than Justice

When I think of One Piece, the first thing that comes to mind is the humor. It’s what stands out to me when comparing it to many of the other popular shonen fighting titles. But it does a lot of things right in its pages, and sometimes far beyond the scope than you expect. In this case we are looking at that gray zone of right and wrong and even beyond into the idea of doing the “right” thing vs. feeling like it is the right thing.

One Piece is undeniably a kids manga with the standard Shonen Jump editorial themes of  friendship, effort, and victory. Every arc has the righteous Straw Hat pirates defeating clearly wicked villains through a combination of never say die spirit and teamwork. But to simply view it as a flat children’s story would be doing the manga a disservice as well. There are some deeper undercurrents of gray morality and the examination of righteousness. I’m not going to argue that One Piece is a deep philosophically gray masterwork that is a seinen manga masquerading as a shonen manga but I will argue there are deeper themes than one might at first realize.

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Ongoing Investigations: Case #106

I picked up Solanin on a whim really but I had a good feeling about it. I want to call it a coming of age tale, but have to state it’s the coming of age that occurs in your 20’s after you leave college and are thrust into the “real world.” The story follows Meiko who quits her boring job and spends the next couple of months deciding just what she wants out of life. In the middle of all this is her long-term relationship with musician Taneda and her many college friends who are going through all these questions, too. Each character is in a bit of holding pattern; knowing who you are and what you want to do with your life doesn’t happen at the same time for everyone and Solanin shows what a road it can be. I have to say that I recognized these people, the relationships, and their questions about where to go. It also touches on Japanese youth culture and the difficult economy of find a job, making it all the more relevant to American 20-somethings these days, too. The art has a bit of an indie-feel to it giving it even more duality. While I did find the climax to be a little too melodramatic, convenient for the story, it doesn’t take away from the truth found in these pages. The emotions, reactions, and thoughts seen through the characters of Solanin are utterly genuine and honest. Plus, the ending felt quite right without a concrete conclusion but still a step forward. It just might be one of the best things I’ve read all year.

hisuiconIf there is one thing I know too well it is the feeling of doing just well enough that you are not in deadly peril but light years away from happy. The first half of this book should resonate with anyone who has felt trapped in their own life with plenty of ambition but no real plans. The quiet desperation of being lost is powerful and probably familiar to anyone over 20 today. But the book is not all dark emotions and hopelessness. There are moments of happiness and progress with everyone moving at their own pace, some people doing better than others. But everyone is changing if not always growing and it is sort of amazing to watch. Half way through the book there is an event that comes off a bit like a plot point in an otherwise seemingly organic story. This can be noticeable to some people but I don’t think anyone should let it detract the from the powerful effect it has on the story and themes. This is a beautiful story that really needs more people to read it. I think this is a book that will resonate with many older manga fans and can even be given to people who don’t read manga at all. It is a universal story that reaches beyond the medium.

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