Our Aestivalis Are Invincible

Ichi, ni, san, shi, ni, ni, san, shi!

Patz and I look at the classic mecha show Martian Successor Nadesico on his podcast the Cockpit. The series is one part comedic parody of all things sci-fi, one part loving homage to anything that would be in a Super Robot Wars game, and one part serious mecha drama. While the show has never been king of the roost it has always had a unique place in mecha fandom. Now that Nozomi Entertainment recently license rescued Nadesico it is a great time to not only examine what makes this show special but what the RightStuf has added to this release of the show.

In Part One we look at just the TV series. Part Two (which will hopefully come out soon) will examine the Gekigangar 3 OVA, The Prince of Darkness Movie, and briefly touch upon some of the oddity with the games and the ultimate fate of the series.

The Cockpit – Episode 2A – You Get To Burning

Manga of the Month: Mushishi

Mushishi (蟲師) by Yuki Urushibara

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Yuki Urushibara’s Mushishi showcases an ethereal quality in both artwork and storytelling. She draws you in and surrounds you so thoroughly that the journey feels close to your heart. It is sometimes eerie, sometimes enlightening, and always beautiful.

Mushishi is the tale of Ginko who travels the countryside searching for and helping those affected by unusual, spiritual creatures known as Mushi. These creatures are tied to the threads of life and nature and their effects on humans are varying. Most people cannot see Mushi and that is where Ginko comes in as he can interact with them.

Despite the supernatural elements, Mushishi is about humanity. Ginko seeks out those affected by Mushishi and we learn their story as he does. There are stories of loss, love, change, and pride; where people have been and where they wish to be; and the unlike road of living.

While Mushishi is episodic in nature, Ginko is the key element tying each new tale together. Ginko is not so much a passive observer as he may seem at the beginning and he has a story to tell us, too.

Mushishi is quietly compelling as it unfolds the human condition before you and highlights they mystery of nature.

Time Traveler: It’s Cruel but It’s History

I loved the Girl Who Leapt Through Time, who didn’t? That was a sequel to the original novel story The Girl Who Ran Through Time. This movie doesn’t really have any trigger like leaping or running so I’d call it the Girl Who Fell Through Time, maybe. It also only has one big movement through time as opposed to a bunch of little ones.

Well “The Girl who Drank a Magic Science Potion That Made Her Then Run Through a Weird Blue Screen Sequence to Go Back in Time” does not really roll off the tongue. It is possibly better than what I was going to name this article, “Time Travelers Never Do Nothing For No One” or just have a link to a certain anime song that I use whenever time travel comes up. But I guess that is why we trade-off writing the article names.

But in all seriousness Time Traveler: The Girl Who Leapt Through Time is based on one of those stories like A Christmas Carol or Romeo and Juliet that is constantly remade and re-imagined. The original story The Girl Who Runs Through Time is a Japanese science fiction classic. It has been remade in several movies, TV series, and specials. This and the film by Mamoru Hosoda are both sequels that deal with younger relatives of the orignal protagonist. Thankfully you don’t need to have experience the orignal story to get into this movie. While familiarity with the original does add a bit of depth you might have otherwise missed it is not vital. The wink and the nod to the smell of lavender can be caught by fans of the original but are not necessary to anyone watching this as a stand alone experience.  This story stands well on its own as its own time traveling love story.

Akari Yoshiyama seems to have luck on her side. She just got into the school of choice and her life seems on track for a brilliant future. But when her mother is hit by a car it seems that her problems actually lie in the past. Before falling into a coma her mother asks Akari to go back in time and give a message to a young man. As ridiculous a request as that seems it appears her mother has a formula that can make it happen. But when Akari is two years off in her trip back in time she must team up with a young science fiction director to deliver her message. Can Akari find this mysterious man without permanently damaging the time space continuum?

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