Ongoing Investigations: Case #146

When Rango first came out, I was skeptical, but great reviews poured in. Finally, I got the chance to decide for myself. Rango is the story of a great big fake who becomes a great big hero. Amazingly, when we meet our scaly friend we don’t know his name, and actually still don’t know it, because “Rango” he makes up along with a series of amazing exploits that he sells to the folks in a little desert town called Dirt. This is a town in trouble as their water supply is drying up and the mayor is plotting something. Rango is the stranger who appears and changes everything. All things after the accident that puts Rango into the desert is a riff on the classic Western almost as if he has been thrown back in time (though of course he hasn’t). There is a clear knowledge of the reference material and it gives a little bite to some of the twists that you expect as well as great humor. The animation is all out incredible, there is a particularly flying scene that blew my mind with detail. Great film and certainly one of the best animated features of the year. Oh, and the owl mariachies are the best. I need a shirt with them.

I just read Princess Knight volume 1. When Narutaki and I read volume 2 we will probably do a full length editorial about the manga as a whole but I thought I would throw out a few thoughts before then. The oddest thing about Princess Knight was that Osamu Tezuka almost seems of have ADD with his storyline. I always knew that Osamu Tezuka liked to do episodic series like Black Jack and Astroboy. When I read the somewhat scatter brained plot of Swallowing the Earth I assumed that the fact that the plot was all over the place had to do more with Tezuka being new to Gekiga. But in Princess Knight jumps from plot line to plot line without really ever stopping for a breath. It is very clear to me that he is making up Princess Knight as he goes along while borrowing from Disney every step of the way. The main character goes from trying to hide her gender, to being a prisoner, to fighting a witch, to being on a pirate ship with hardly any transition. I think he clearly Tezuka had a beginning and an end mapped out but everything in between seemed to be decided as he was writing it. You can’t ever say you are bored by the book but it does feel a bit disjointed. Still the story is worth reading for the fact that it is a major milestone in manga history. While it was not the first shojo manga it was highly influential in the foundation of the genre. The book is just best enjoyed if you know going into  it that the book reads very young and has a scatter shot plot. I think I enjoyed the book a bit more than Narutaki because I went in with a more informed view of the book and knew what to expect.

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Red vs. Blue: Saber Edition

Over the years as an anime fan I have picked up a few skills from just watching enough anime. They include the ability to notice animation errors, an eye to detect directorial styles,  and an understanding of Japanese trends and tropes. You always have these abilities to some degree but the more you watch the better you are at it. The one skill that Narutaki and I have never been that great at no matter how much we watch anime is the ability to instantly recognize voice actors. We are far better at it then when we started the blog but honestly that is because the only direction we could head was up. We have the basic detect Norio Wakamoto and recognize Rie Kugimiya skill set but we are far below the proficiency of any decent seiyu aficionado.

But there is one voice actress I can always recognise and it is very unsurprisingly Ayako Kawasumi. While I remember her playing Melfina in Outlaw Star but she really caught my attention as Lafiel in Crest of the Stars. She has played roles I love like Megumi Noda in Nodame Cantabile and Kanako Ohno in Genshiken. She also starred in shows I have much less love for like Mahoro Ando in Mahoromatic and Aoi Sakuraba in Ai Yori Aoshi. But to cut to the heart of the matter the character that trained me to recognize her voice is very clearly Saber. If there is any character that is going to make me remember your voice it is her. So when Fate/Extra came along they announced that while the playable Saber maybe very familiar looking she would be a very different character to the point where she would be voiced by Sakura Tange. So hearing this new Saber leads me to an odd bit of cognitive dissidence which is what this post is all about.

Past this point is spoiler country. While I assume the identity of Fate Stay/Night Saber is firmly entrenched in the “No. *I* am your father ” territory for anime fans the identity of Fate/Extra Saber is far less a piece of common knowledge.

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Don’t Get TOO Attached to Anyone

Finally a podcast where I get to talk about Fate/Extra CCC for an hour. Oh wait. That would be horrible. So instead I did an appearance on the Eroge Bus podcast with the Digital Bug from Reisen Goes to School by Bus. The main topic is Kara no Shoujo which I already discussed the demo of on the blog but now we talk about the full release from MangaGamer. It is an unusual erotic detective visual novel with a strong emphasis on the player actually solving the mystery. We also discuss visual novel news and upcoming releases in the visual novel world. Also since it is me Type-Moon comes up like 20 times and we discuss Professor Layton vs. Ace Attorney. I might also eat up the news that Key’s Rewrite sold way below expectations like sweet candy.

Eroge Bus – Episode 3

I suppose I should have a picture of what I actually spent a bulk of my time talking about.