I hate you, Misa Misa

THIS POST CONTAINS SPOILERS

I think I could make myself crazy trying to come up with reasons for horrible female characters existence.

I love all the women of the world so oddly enough in a strange turn of events I am less hateful than you. But yeah there are some nasty piece of work characters in anime and manga.

I can’t complain about certain titles because they are aimed at a certain audience. For example, Rozen Maiden or the like, they are aimed at a fetish-type demographic so it is not as if I expect much from them. Series that have a broad appeal, like basic shonen and shojo, are a different story, I expect some diversity of characters, and when I’m given no option but weak and pathetic main female characters, one of two things usually happens. One, I stop reading, of course this is the least likely if they aren’t the main-main character. Or two, I hate them with such a fury that I cannot contain it and cling to either minor good females or disregard females in the series and only have an interest with the male characters.

We all know there is no excuse for Rozen Maiden. Doll touchers have to die.

I tend to latch onto characters I like and easily ignore characters I hate so I think I’m a little easier going than you are. I will go on for hours about how I love Saber but I find it hard to remember the last time I went on a rant about how much I hated a character. On the other hand, I can sometimes feel the hate-hate wawa vibes coming off you at certain characters.

Yes, well don’t act all innocent. I know how entertaining you find it to bring up characters that drive me up the wall. So, I attribute some of my ranting to you, Hisui.

I am a strong believer in the healing power of Schadenfreude. Certain Flay fan club posters are a testament to this fact. Narutaki is a good human being that hates bad characters. I’m a horrible human being that is tolerant of bad characters.

Oh and I think fetish characters should not get a free ride. I like the obviously fetish characters from Type Moon games. (Heck, you’re not going to get more fetish characters than characters from a hentai game.) I still like them as female characters so you can make characters that cater to a fetish but are still likable. You just have to put in some effort.

But I also realize that your just limiting your selections so you don’t go off like a volcano on the world of bad female characters.

But something like Death Note, yeah I’ll complain about that. Or any series with a main girl who is not only weak, but pointless and useless and the writer can’t even come up with a good reason to keep them around. Seriously, Light should have killed this girl. Period. I know her sex appeal is why she was there, I’m not dense, but really did she have to be the worst excuse for a woman ever? I was reading Death Note for this amazing cat and mouse story, not the fun fun love hour of serial killer and dumb girl.

Misa Misa is kind of a waste of a human life. She was often more of a problem to Light than L and the police force combined. As a person who likes the Goth Loli aesthetic, I see why Misa would appeal to men with her pleasant character design but her personality is just so caustic. She seems written in a way to deliberately make someone think, “Why has this girl not died yet?” The only problem with this is she added nothing to the plot other than having her lounge around it cute/skimpy little outfits and making trouble. She should have been dead and buried right after Rem died.

I remember that girl who brought up Misa Misa at that shojo panel at Manga Next as an example of a strong female character. Man, that was hysterical in a scary way because she was dead serious. She thought that the super stupid, super doormat that is Misa Misa was strong because she stuck by Light no matter what.…Wow! Not sure what to say to that.

I think the look on my face said it all. And I was sitting two seats away from the girl. It took all of my being to not reach out and shake her.

I also remember reading a review of the last book of Death Note where the reviewer speculated that Misa Misa is supped to be what happens if an average girl got her hands on the death note.

Alright, how insulting could that be? This is horrible! Misa Misa has gotten into the brains of people and made them think the average girl is a completely ditzy, useless, moronic, childish idiot! I don’t know who I should be more mad at, the people who created her, the people that like her, or the people that think she is the average girl!

Gundam Seed, I applauded you for your amazing females. EXCEPT FOR ONE. And granted, just one is pretty good. But I hated this character with so much of my being. Everytime she walked on screen I had to cringe. Flay Alster, you sucked. Not only was she a racist bitch, she also used the sex as her greatest weapon! I mean she succeeds in seducing Kira, but her plan doesn’t work out when he doesn’t go get himself killed. Everytime they would cut to her face she would have that, “hehe exactly as planned” look, it was almost comical.

Well, I think that Flay was made as a character to be hated by the viewers. They wanted you to have that reaction. Misa Misa was supposed to be entertaining person and beloved by the fans for her antics. All they did not do was give Flay a Snidely Whiplash mustache and have her tie Miriallia Haw to some train tracks. I also think she was supposed to be a sympathetic villain. You were supposed to understand that she did the things she did because she was hurt by the war and stuck out at people in selfish ways because she was an immature character.

I knew Gundam Seed wanted me to feel sorry for Flay but it just did not work. Especially, when we are dealing with so many characters who were all affected by the way and had their own horror stories. Flay was a selfish woman who believed that everything somehow revolved around her. Someone like Cagalli who’s father is also killed, is understandably upset but she used her grief to help end the war not to gain sympathy. And they also wanted you to forgive Flay in the end. NO.

Well that is why I’m going to marry Cagalli when I grow up and Athrun can take crappy Meyrin Hawke and be miserable with her.

Bad females must exist because there is something attractive about them, I don’t know what that is.

Certain men really like the idea of being able to protect a fragile girl who needs to be protected from the big bad world. Strong women don’t appeal to them because they can stand on their own so they don’t need them for anything. This desire to protect fragile girls can range from a noble desire to protect the one they love to the rather sleazy want for a girl to be dependent on them and only them. Often times if you dig down deep enough it’s a mixture of both in men. As for the nasty girl ,well men can like a horrible woman just as much as women will be attracted to the bad boy who is no good for them.

I guess, though, this is what is all comes down to right? Sex appeal, the object of a woman not the substance of one. But would guys really hate a female character that was strong? Is that the missing link in all of this? Of course men are objectified too but so many usually get at least some redeeming traits, interesting personalities, or are a dynamic character. Because we know girls were not reading Ruroni Kenshin because of Karou.

They read it because of the intense need to write Kenshin x Seta Soujiro porn. And Kenshin x Sanosuke porn. And Kenshin x you get the picture porn. I read it because Makimachi Misao is love and Hiko Seijuro is the man.

I just keep running circles in my head over this. Clearly there is no one answer to any of this.

I also think that guys will accept a cute face and smoking body and ignore a horrible personality a little quicker than a woman will accept a worthless guy with a pretty face. Not to say women won’t swoon over a pretty boy and be quick to ignore his faults but I think women in general have a slightly (even if it’s very slight) higher standard than men.

My question to you is do annoying male characters bother you as much as annoying female characters?

Yes, if they are annoying and useless. And also, lets not confuse the annoying and useless with just plain bitches.

I hate Asuka from Evangelion, I find her, as many others, to be a egotistical bitch, but atleast she can fight. Doesn’t mean I like her but I wouldn’t say she was useless. But that is so totally eclipsed by my blinding hatred of SHINJI IKARI!

Well even Yoshiyuki Sadamoto admitted that Shinji was nothing more than Nadia from Secret of Blue Water with a “masculine” make over. So Shinji is secretly A HORRIBLE GIRL CHARATCER in a very thinly veiled disguise. Also considering the fact that Nadia has her fair share of people who despised her for being a worthless female character it is not so hard to see why Shinji is so hated.

By the way, do you think Kenshin is an annoying male character or do you think he is just girl eye candy?

I think neither. This is a good person to illustrate the differences I see. Kenshin can be annoying and yes, he is very good looking. However, Kenshin is also TOTALLY BADASS! His fighting skills and scenes are just phenomenal. He has his annoying moments, but I can easily over look it when he is swinging his sword. This is it, I don’t hate annoying female characters because they are annoying. I hate annoying female characters that are also USELESS. I just want characters to serve some purpose.

Well as long as men will continue to buy figures, plushies, walls scrolls, pencil boards, love pillows, and real dolls of horrible female characters they will continue to make horrible female characters.

Narutaki Currently!
Watching NaruTaru
Reading Nodame Cantabile
Listening to Hey! Say! 7

Brainwasher Detective (Hisui) Currently:
Watching Galaxy Angel Rune

Reading Nodame Cantabile

Listening to Uchuu de Koi wa ? Ru-run Run by Rune Angel-tai

Why must the phrase, “You fight like a girl” be an insult?

THIS POST CONTAINS SPOILERS

Are they any strong female characters in anime or is it all just an illusion?

I remember when I was really getting into anime the one thing I always heard from people was how many more strong female characters in anime than there are in American cartoons. Now with several years of anime watching under my belt I wonder if I have just been lied to all these years. Is anime just like the rest of the media in the fact that it’s practically devoid of strong female characters? Do anime fans just cling to the few strong female characters and just ignore the rest of the sexism in the rest of anime? Am I being unfair in wanting more strong female characters?

When I started getting into anime, I don’t remember anyone promising anything. With the possible exception of some cool fight scenes. However, I do get the impression that the strong female character can be a draw to anime. Heck, I would even say I’ve said the very words that anime has more diverse and independent females. I don’t think it is necessarily wrong but possibly overstated. I think with the vast amounts of anime out there you are bound to run into really amazing, note-worthy, strong women. But is it really more prevalent than other media? As my viewing continues to expand, I find myself looking for strong females and questioning my initial views.

Also, a lot of time strong female characters seem to be male characters with boobs. I’m not going to complain too much about this fact because at least it’s an attempt. Sometimes male writers can’t get their head around the concept of female characters in general so their strong female characters tend to come off as just slightly modified strong male characters.

Sure, tons of females characters, obviously more prevalent in shonen anime, that are dudes wearing chick suits.

A prime example of this would be Major Motoko Kusanagi. It’s not that she is not a strong female character. It just seems that she’s basically a very unisex character with a pretty girl body. It can be argued that she occasionally displays feminine character characteristics but most of the time she is either a very masculine or unisex character. A lot of this can be attributed to being a full conversion cyborg but it still means she a rather unfeminine female character.

Two characters that come readily to my mind are Oscar, from Rose of Versailles, and her much later protege Utena, from Revolutionary Girl Utena. I would first like to point out that I love these characters. However, I have to acknowledge that while they are female, they really don’t desire to be. Without going into too much detail, these are two women that feel their strength is diminished by their being female and so to counter act this they cast off everything feminine. While they have vast back-stories that lead them to this, it doesn’t counter act their choices to try to be as masculine as possible. But, this doesn’t make them weak characters in the least. In fact, their perseverance through adversity makes them incredible.

I know for a fact that you can be female, have a feminine personality, and still be a strong person. So what makes anime filled with weak sissy moe girls needing to be saved by their big strong male protectors?

The real idea here, I think, is to find females characters that aren’t afraid of their femininity or sexuality. Characters that embrace being female.

IMHO Top 5 Strong Female Characters in Anime – The idea is to pick 5 Female Characters from Anime that are still feminine.

Nami – I actually suppose Nami can be seen as a derivative of Fujiko Mine and the strong female thief archetype in general but I really like Nami so she’s the one I picked for the list. Nami is actually a capable fighter in a shonen series! I admit she’s one of the weaker members of the crew but she is at least equal or greater than Usopp in fighting ability. She is not a physically strong fighter but she uses her head in a fight and I like that better than winning with brute strength anyway. Luffy might be the captain in name but Nami is often the acting captain of the straw hats as she’s one of the few members of the crew with any sense of responsibility or common sense.

Tohru Honda – Is a super girly girl but a strong super girly girl. She takes care of herself and the other members of Sohma family. She is the strong rock that helps the other members of the Sohma family with their numerous physiological problems. She also stand up to the rather vicious and nasty Akito with little to no help from other members of the Sohma family. She takes care of herself when she is homeless and supports her self by working while still going to school. Infact she often goes out of her way to help others even at cost to herself.

Tomoyo Daidouji – Is also very much the Japanese Yamoto Nadesico but is not a weak character like she could easily be portrayed as. She takes all the weirdness and chaos of Sakura being a Cardcaptor with a cheerfully unfazeable attitude. She is an unshakable rock for Sakura that supports her in all of her endeavors. Even when she realizes that Li is in love with Sakura she supports their relationship despite her own love for Sakura. Tomoyo is love!

Sakura – Sakura from Urusei Yatsura is a strong old soul blessed with a beautiful young body. Sakura tends to get a lot of gruff from the rest of the cast of Urusei Yatsura but she tends to give as well as she gets. She is a powerful Shinto priestess as well the school nurse at Tomobiki High School. She is very feminine around her fiancée Tsubame but she has to be tough around her male suitors who want to have her for their own. And in Urusei Yatsura there are more than enough men who won’t take no for an answer.

Lafiel – Lafiel is a strong willed heir to the throne and a capable spaceship captain. She often has to teach the non-space faring Jinto how the world of the space faring Abh operate. When she is in a leadership role she is a very no-nonsense leader but she has a softer side when she casually interacts with people outside of a battle situation. She rescues Jinto when he is imprisoned by a Baron whose outpost they stop at to refuel. She also forms a rebellion aginst the same Baron on his own outpost.

Five strong heroines that took me hours to pick out.

Faye Valentine – A gambling, beautiful, tough, bounty hunter. She holds her own as a strong, capable, albeit brash character in Cowboy Bebop. Her abilities with a gun and her skills at flying are valued as much as anyone else’s. She took care of herself for a long time and learned to trust no one. But the fact that this changes over the course of the series is really when she shines. I think her attachment to Spike in particular is very telling. In her final moments with him as he goes off to his death, she tells him the Bebop is the only place she can come back to. As she stands there alone in the hall, you see a woman’s heart.

Lacus Clyne – You don’t get much more feminine than an idol singer. But despite the first impression Lacus is both intelligent and skilled in politics. She uses her singing to help people forget the war around them but she herself does not forget it. She uses her influence to try to tell her people about peace. She defies her own government to help both Kira and Athrun and in turn helps to end the war. She is a pivotal character in the series, one that shows true love and compassion but is not afraid to face death.

Nausicaa – A nice thing about Miyazaki’s females, is that they are usual strong and hold their own. Nausicaa is no exception, she is a princess but also a warrior. Her devotion to peace and humanity is a constant narrative, as she works to help anyone in need while also trying to save her homeland. She leads her people, as a saint or angel, to fight against those that wish to take their way of life from them while also exposing how war is destructive no matter the reasons.

Arashi Kishu – Is a high-school student, as are many of the characters in X, with the actual weight of the world on her shoulders. She is also the hidden priestess of the Ise shrine. She she has a sword hidden in her left hand, she can definitely hold her own in these battles. She is one of the first to come to Hinoto and take on her role in the end of the world. She does this with purpose and stature. And while she is beautiful, she often comes off as cold, but this is melted throughout the series by Sorata.

Ahiru/Princess Tutu – While love is one of the central themes to this series, what starts out seemingly simple becomes a complex and dark look into the hearts of many characters. A fairytale flipped, and the hero is a heroine who is both elegant and klutzy. The prince is the one who needs saving and that is the task set before her. Princess Tutu is taking on the role that is usually played my a male, but she is absolutely female. She accepts her fate willingly and has a sense of duty despite her personal feelings and the realization that once her role is played she will no longer exist.

I was really disappointed that I had to rack my brain for two days to come up with five characters that I actually felt comfortable putting into the category of strong. Maybe I was being too picky? You know, Hisui said to me “well surely in all the shojo manga there has to be strong females, right?”

I had a slightly easier time but that is because I got to choose first. ;)

While this is not untrue, a lot of shojo manga are centered around love, and to say it simply, love makes everyone weak. Those are everyone’s weak moments, and sure it can make you stronger in the end, but the pursuit of love is really about vulnerability. So I don’t think they are weak, I think they are very average and human.

You do make valid points. Shojo tends to focus on romance. Romance is greatly aided by having characters be more real. If a character is not strong all the time it helps the writer make more plot (strong characters tend to have less complicated love lives) and it also make the character more relatable to most people. We like to look up to strong characters because most of the time we can’t be as strong as our ideals. A character that has our same frailties and fears is much easier to relate to.

But I feel that secondary female characters in Shojo manga could easily be stronger characters but often times there just the same as the protagonist. Maybe I’m being overly harsh (which I think I am) but I feel that shojo in general tends to portray girls as more vulnerable that it needs to. My question to you is do you think guys are just as vulnerable in shojo manga as the women?

If we are speaking strictly of the romance sector again, then usually no. You often run into the fantasy of being protected and rescued. You know, the guy coming out of nowhere just at the right moment to help the girl out. Since this fantasy is pretty prevelant in the minds of many women, its no wonder you see it portrayed so much. And maybe that is also why it happens in other genres and it’s one big vicious cycle. Women are complicated, bet you didn’t know that, they want both things. They want to be strong and independent but they also want someone TRYING to protect them. But so many times it seems like people forget the both part, but then again it’s not like the taste of men doesn’t come in to play also.

Also as we mentioned when we talked about this in real life you tend to read a lot of romance shojo. I wonder if other branches of shojo are any better?

Oh no doubt there are! I mean just looking at our own lists, Fruits Basket, X, Card Captor Sakura and Princess Tutu are all shojo stories. So, there are definitely smart and strong females to be seen. I had a few that I was thinking about that I didn’t put on the list even. Besides, I can’t actually claim to have watched or read all the shojo there is.

At the same time, school life/romance stories don’t give me enough of a picture of the characters many times. If there isn’t an over lying plot, other than getting the guy/girl, it’s hard for me to judge the characters. I feel like it’s just a short period of time and a small snapshot of their life. Whereas something with an epic plot seems to push characters to their potential and show me exactly who they are.

I hear what your saying. Your going to get a greater chance to get strong characters when their character is being tested. But even in epic fantasy and drama you tend to get the girl character that have to be saved by their big strong man (I’m looking at you Miaka).

Oh no doubt! I don’t think we can even count how many females like that appear in anime. Often women who start out strong just end up being kidnapped and rescued constantly.

The main problem with any conversation about broad generalizations of anime and manga is that we only see a fraction of the anime and manga that comes out in Japan. I wonder if we could speak and read Japanese would our opinions be any different. I mean there are whole genres of manga that don’t get localized or fan translated. Are there treasure troves of strong feminist material we don’t know of? I have a feeling that’s not the case but the possibility still exists.

I guess all we can do is support the titles that have good strong female characters and hope they make more.

Welcome to the NHK is the best manga ever!

Hisui really wants to get punched in the face!

Brainwasher Detective (Hisui) Currently:
Watching Kekkaishi
Reading Please Save My Earth

Listening to Dive in the Sky

Narutaki Currently!
Watching Claymore
Reading Black Cat
Listening to The Blue Hearts

Otakon 2007

Hisui and Narutaki’s Otakon schedule

Friday
Kodama and Suwa Q&A and signing
Tomokazu Seki Q&A
ADV Panel
Older Otaku Panel
AAA Concert and signing
School Rumble Panel
AMV contest
Podcasters Roundtable
Putting the Man back in Manga Panel
Geneon After Dark

Saturday
Media Blasters Panel
Tokyo-Pop Panel
Kodoma and Suwa Bringing Anime to TV Panel
Anime News Network Panel
Tomokazu Seki signing
Morio Asaka signing
Anime Recruitment Panel
Geneon Panel

Sunday
Del Rey Panel
Eminence Concert

Overall, I don’t have a problem saying that Otakon 2007 was the best run con I’ve been to. And also where I had the best time. I missed a couple of things because of last minute schedule changes, but that’s to be expected. But there were surprisingly few technical difficulties and the main events started on time. This was also our first year doing a panel at Otakon and that couldn’t have gone better either. An all around good experience.

I had no problems with Otakon that would not pop up at any fan (volunteer) run convention. Schedules at cons are dirty liars filled with filthy lies. Even the best run cons are going to have schedule changes. The main problem is that most panels are run by fans and that can mean trouble. People are going to forget they are doing their panels, get drunk and miss their panel, oversleep, have personal problems, or don’t prepare for their panel and then they don’t show up because it’s not their job. Even industry panels sometimes have to reschedule or cancel for a number of reasons.

My advice is any time you walk by the info booth at a con look for schedule changes. It’s your only real way of maybe seeing all the schedule changes.

On the other hand I think our anime recruitment panel went splendidly. I feel that we got a good turn out for being in the slot of death (against the cosplay masquerade). I felt that most people who showed up got something out of it and with a little help from the audience I feel we answered everyone’s questions to the best of our knowledge.

We (us and two friends this year) always go down to Baltimore on Thursday morning, I highly recommend this. It’s so nice to be able to relax for one night before the sleep-depriving convention starts. And you get to pick-up your tickets early which makes Friday morning so much better. Why do people wait in line on Thursday? I point and laugh as we walk by to go eat and then come back around 7:30 to get the tickets and we waited for maybe 15 minutes to get them. Why do people WANT to wait in line? I will never understand this! In fact, most things at Otakon you don’t have to wait in line for with the exception of autographs.

Well, I get the feeling people would line up to be smacked in the face with a fish if they saw the line was long enough.

The actual reason people line up, I suppose, is they:

a. have a need burning to be first (I don’t get this but look on Ain’t It Cool News and you will seeing people tripping over themselves to say nothing more than FIRST!).

b. People are worried about not being able to get the badge they want. That’s darn silly because I have yet to see that happen on a Thursday.

c. People have nothing better to do.

They did something new this year and moved where a few things were from previous years. This all seemed to work out for the best. The main events set-up was fantastic. It seemed to have the necessary room, sound quality, and four huge screens so no matter where you were sitting you could see what was going on. Which made lining up for the AMV contest utterly idiotic, but of course people did that anyway. I think this was a great change for the con and much better than the arena or using small music venues.

Even with my mediocre eyesight I was able to see everything at the AMVs. We both did not go to the cosplay masquerade but I assume that was just as easy to see. I think we both agreed the AMVs were sort of bland this year. None of them were bad but none of them were particularly awesome or hysterical. The Honey and Clover one was really good and the Gankutsuou one was pretty visually striking (but I think that has a little to do with Gankutsuou itself being very visually striking.) The comedy ones were o.k. but nothing was laugh out loud funny. Actually the funniest AMV was the Samurai Champloo vs Inuyasha video but it was in the action category.

I do admit to waiting in line for more than an hour to get Tomokazu Seki’s autograph and I also admit to running and pushing to be one of the first 15 people, haha! He is really funny and talkative. And I also got to experience what I have only read about, fangirls swooning and crying. I had heard about the Samurai Troopers (aka Ronin Warriors) seiyuu in Japan having girls just pass out over them but I had never actually seen this. Now I have. Girls were forgetting their questions and saying they loved him.

I really don’t care much for voice actors who are not also Galaxy Angels so I skipped both parts but I did hang out with you while waiting for Seki’s autograph. The most memorable part of the wait was seeing much more than expected of the girl in front of you on line as she stood up in a dress that was way too short for her while not wearing underwear. I admit she was cute so it could have been worse (and there were times when it was worse at the con) but I think a little more modesty would not have hurt this girl.

Maybe she was hoping for a invite back to his room with that dress. :)

He also let people shout out characters to do the voices of and he even did the Godfinger speech from G Gundam! When he signed my book I asked him to say something for me and he happily did that too.

I know people who would have sold their mothers to have a live recording of the Godfinger speech. I’m a little sad I missed the part of the panel where he did Gilgamesh’s voice to tell a Saber cosplayer, “I am the King of Kings and you are the King of Poverty”. I’m pretty sure many of girl would love to have the recording of what he said for you.

The things that tend to get big crowds are American voice actors, flavor of the month fan panels (Even though I like you as a game I’m looking right at you Kingdom Hearts II panel), and the dreaded 4chan panel. But goodness forbid anyone goes to a Japanese director or producer’s panel. They only make the anime you don’t buy because you too busy downloading it off bit torrent.

I’m not bitter. Not one bit.

Speaking of people who make anime, why was there no one at the Kodama and Suwa panels? I see this every year and every year I get angry and every year I seem to forget that 0.5% of the people at cons care about the Japanese directors and producers. They are behind City Hunter, Detective Conan, and now Kekkaishi. Kodama is also the producer for Inu-Yasha.

Silly Narutaki. Anime fans don’t like anime. ;) As we all know no body watched that obscure doggy demon show so why would they care about the men responsible for bringing it to TV?

O.k. to be serious and not super bitter, the fact is that producers and directors are not super flashy so they don’t really care. The average age of anime fans has gotten much younger so they tend to care even less. Manga-ka and voice actors have an immediately appreciable impact on the anime people like. Manga-ka make manga so as long as their manga is popular in America they will draw a big crowd. Voice actors bring the characters you love to life. There appeal is easy to notice.

Directors and producers have no immediately noticeable impact on their hobby so most fans don’t care about them the way an older fan might come to appreciate them. They are greatly important to Anime but it’s not something that’s super obvious. Plus I don’t think it’s just the Japanese staff. I think that if you had a big panel of American directors and producers would there be no more of a flood of people at their panel as well.

I mean think of it this way: Would you rather talk J.K. Rowling or any of the number of directors/producers of the Harry Potter movies?

Maybe people aren’t interested in these shows, okay fine. But two years ago there wasn’t anyone at Seiji Mizushima’s (director of Fullmetal Alchemist) panel either! I know people watched that show, but this is a whole other rant altogether.

We definitely have to do a blog on the great divide between how many people WATCH anime and how many people BUY anime.

Oh yes. We will.

AAA, which once again we didn’t wait in line for because the main events was nice and big, was really high energy and fun! Their set was a nice length, 8 or 9 songs and there was plenty of audience interaction and bantering. I got angry when we were waiting for our friend before getting seats though. We spoke to this girl who said she was pulling her friends out of the dealer’s room to come to the concert and they would thank her later. I whole-heartedly agreed that this concert was a once in a lifetime thing. And then she said, “Yeah, well if you go to it you can get better seats for the AMV contest.” I HATE HER. People have the lamest priorities! YOU DON’T NEED A GOOD SEAT FOR THE AMV’S THEY ARE ON A SCREEN! HATE. These were the same people that were sitting for the whole concert and taking up space where I could be closer to the stage. HATE. But AAA made me forget these idiots because they were really good. They played Blood on Fire from Initial D which made me giddy!

At that time I went to the School Rumble panel. It was sort of lame but I love School Rumble. The English voice actors and the director for the dub of the show talked a little bit about their experiences. It was your standard talk by American voice actors. Then they showed the first three episodes of the School Rumble dub. It was adequate. Nobody stood out as being great but no one was like nails on a chalkboard. My major complaint was they did not subtitle the written parts of the show. I knew what they said from the manga but that was a silly way to play it to an audience your trying to get into the show.

We attended quite a few industry panels, they weren’t especially interesting but everyone did seem to answer a lot of questions and were pretty truthfully. Well, except Tokyo-Pop who I always think is bullshitting me. They always skeeve me out! Like I know they are just lying to my face with their corporate crap. I must just like how everyone else lies better. I did learn that anime DVD sales account for 1.5% of the DVD sales market. Which wowed me a bit. Also made me wish everyone knew that and understood that and didn’t try to drive the price point of anime to the price of normal DVDs, for another day though.

Well, Industry panels are sort of like plain rice. It’s filling but most of the time unless it’s really poorly done it’s kind of all the same. I mean I have been to really interesting industry panels but they are rare as hen’s teeth. Most of the time they play some trailers, pimp whatever is there big shows, make a few announcements, do a Q&A, and then give away some stuff if you’re lucky. You can usually get the most personal spark from such a panel if you get a chance to talk to a cool rep after the panel.

The problem with Tokyopop is two-fold. One I never like the way the Tokyopop reps describe anything. I remember when they announced Fruits Basket. I was super hyped for them to announce the manga. When they announced and then described it, I was thinking I would never buy a manga like that except for the fact that I already knew it was a good read. Secondly, they seem to have that nasty layer of corporate sleaze all over them of late. Tokyopop makes it seem like they are totally not corporate but just super big fans of everything. Del Rey and Viz seem more like “Yeah were part of the corporate machine that wants nothing more than profit but were also fans.” I guess I appreciate the honesty.

Oh and don’t get me started about D.J. Milky.

We did miss the ImaginAsia panel(and not because I was taking pictures of cute boys cosplaying Kenshin, as you might believe!), much to our dismay it had been moved to 3 hours earlier than scheduled. I also missed the Morio Asaka panel due to last minute schedule changes but did obtain an autograph. As for fan panels, loved the podcasters roundtable. Of course that was just because I was delighted to meet all the podcasters I listen to including: Dave and Joel, Geeks Nights, Gerald from AWO, and Ninja Consultants.

The Podcasters panel was super fun. It was made up of all the anime Podcasts we listen to so it was like the ultimate team up of awesome. The only thing that would have made it better is if all of AWO had shown up. There was a super nasty podcaster in the audience who needed a punch in the face.

The putting the Man back in Manga panel was fun. Gerald from AWO seemed really well prepared as opposed to the Geek Nights guys who seemed to have wanted to prepare but ran out of time (in their defense I think they were running like 4 different panels). Despite their occasional references to materials they did not have the Geek Nights guys were pretty knowledgeable about Gekiga and their love of the genre came shining through. Gerald is a god so he could do no wrong.

Gerald rules! But I avoided the Gekiga panel. Too much testosterone in one room.

We also went a little soiree on Saturday night hosted by the classiest Kung Fu masters at the convention. Those practitioners are named Dave and Joel. It was rather cool to spend an evening chatting with some of the more mature members of anime fandom.

Oh, I had such a good time at the party! It was like a new piece of fandom I had never participated in. And we got to hang out with a couple of industry people, Dave and Joel, and Noah from Ninja Consultants. It was filled with hilarity and a good time was had by all. Hopefully I was mildly entertaining enough to get invited again.

The Eminence concert was a real treat. Definitely a con highlight! It’s rare to have the chance to see a classically trained group of musicians preform video game and anime music. I was impressed with the turnout of attendees for this event, it was packed, as it should be. Hiroaki Yura, the lead violinist and founder of Eminence, was especially talented and quite charming when talking to the audience.

Eminence was definitely the classiest part of the convention while still being very high energy and quite a bunch of geeky fun. They also brought out Hitoshi Sakimoto during the concert and had a small interview with him before they orchestra played some of his works. His little story of how he got hired at Square was definitely hysterical.

Oh and I could have done without the parts with Piano Squall.

My favorite part of the performance was the theme from My Neighbor Totoro and their last song, Scars of Time! I also had to chuckle because the audience was really enthusiastic and cheering, I bet that doesn’t happen at the symphony!

I was really impressed they played the main theme from the Radical Dreamers (aka the text adventure side story to Chrono Cross). Since Eminence is made up of either Japanese or Australians musicians maybe that game was more familiar to them then it was to most Americans.

We didn’t get to stay for the con feedback panel because we had to catch the bus. I wouldn’t have had much to complain about though! In fact, I would have praised them up and down. But I would have been curious what other people had problems with. They announced the dates for next year’s Otakon, August 8-10 at the BCC again. Although I like the July dates better, it’s still relatively early in August and I’m glad to see it staying in Baltimore for the foreseeable future.

I’m glad we rushed so we could take the bus ride from hell. : ) Well I enjoy the July date as well because it means the con falls on my birthday. Birthday + Otakon = the Win.

Brainwasher Detective (Hisui) Currently:
Watching The Melancholy of Haruhi Suzumiya
Reading Parasyte
Listening to Tom Sawyer by Rush

Narutaki Currently!
Watching Captain Herlock Endless Odyssey
Reading Kino no Tabi novel
Listening to AAA