Ongoing Investigations: Case #078

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Okay, so by now I don’t really need to say why we were watching Detective Conan movies, right? It is just a part of life! Why are we watching them out or order? Because we can! So began the watching of Detective Conan Movie 2: The The Fourteenth Target. It seemed to be perfect timing as Hisui started to ask me questions about Ran’s parents past and before I could add my two cents the movie starts to reveal a bit of their back story. This is the first of the earlier movies that we’ve watched with any such actual plot for the series rather than being a fun jaunt. This also has the amazing ability to make Kogoro seem cool in his day. As the pattern for the deaths is revealed things just keep escalating until a beautiful and watery finale. I have to say, the reason behind the killings is neigh impossible to figure out, but that is not to say it is an unbelievable reason, just hard to deduce.

I was recommended to watch Detective Conan Movie 2: The The Fourteenth Target as these movies can be watched in any order we decided to go back and take a look at this one. This being the fourth Conan movie I have watched, I know how to “properly” watch Detective Conan. You would almost never be able to guess the motive of the killer; they never give you enough information to figure that out in any movie I have seen so far. In this movie I was able to deduce who the killer was and I think that is what you should be aiming for if you attempt to solve the mystery like I do. The movie itself starts with various people that Kogoro Mouri having attempts made on their lives. At the scene of the crime there is a clue left that ties into a playing card motif. But of course like any good card trick there is more to all of it than meets the eye. Overall it was a solid Conan movie. The last action sequence at the end was fairly epic as a Detective Conan movie ending should be.

I had the chance to play through a good amount of Mega Man 10 as Proto Man on Easy Mode. The game is unsurprisingly a lot of fun, especially thanks to the less-frustrating-but-still-not-always-easy Easy Mode. However, the real enjoyment comes from the quirky stages and bosses of which my favorites include Strike Man with a baseball motif and Sheep Man with static electricity power! Though unfortunately Sheep Man’s power that you gain kind of sucks because of its terrible accuracy and execution. But for the most part all the others work well and have that element of innovation present. There is a lot of fun attached to this game and it lends itself to people (me!) who may not be good at Mega Man games.

I made a guest appearance on the Otaku in Review Podcast entitled Sleeping with Hisui. The podcast starts with me talking about how the blog gets its name just in case you have never heard the story. We then move into talking about what they are watching. I talked about Future Police Urashiman; Jon Ingoglia mentions Tears to Tiara; and Scott Spaziani rounds it out with Sora no Woto and his mixed feelings about the show. As some point I go into a little rant about Gundam Unicorn not having a DVD release. I thought I brought up some good points but Scott had some poignant counter arguments. Jon talks about various anime related iPhone apps after. We then wrapped up the podcast with my worst panel experiences and general panel philosophy. We covered an eclectic but interesting number of subjects and I don’t think I rambled on as much as I usually do.

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NYICFF 2010: Mai Mai Miracle, I am the great pretender!

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The New York International Children’s Film Festival is a place I like to experiment and quite often go into movies without much knowledge of them. I guess it comes down to the fact that for many of these films, this may be the only chance to see them, especially on the big screen. With a number of films this year being anime, I was feeling even more of an itch to squeeze in as many screenings as I could. Something about that big screen adds a lot to the experience, at least for me. So with that in mind I went to see Mai Mai Miracle where literally the only thing I knew about it was that it was from Japan.

Mai Mai Miracle follows the ever-imaginative young Shinko in a small, somewhat rural town, of a post-WWII Japan. Thanks to Shinko’s grandfather she has become fascinated with the town’s 1000-year-old history so much so that she often has wild daydreams about it. When shy Kiiko moves to town, Shinko’s curious nature leads her to befriend the quiet girl and the two become fast and inseparable friends. Through the make-believe world that Shinko shares with her, Kiiko starts to come out of her shell, and soon the little town is a place of joy where each day is spent in laughter and adventure. But, as many stories about coming of age do, some sad and very real problems invade their little piece of paradise. Mai Mai Miracle is a story of friendship, history, dreams, and growing up which really and truly feels like the perspective of the young.

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NYICFF 2010: Summer Wars w/ Mamoru Hosoda, Guest starring Rabbit Terry Bogard.

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When I heard that Hosoda’s plans for his next film were in the works, I was truly excited. Afterall, The Girl Who Leapt Through Time instantly became a favorite or mine, and not one that I will soon forget. So basically after hearing “He is making something, and it is called Summer Wars,” I promptly tuned out any information thereafter. Something made me want to jump in blindly, to be completely caught unaware by this next film. And truly I went into the theater with no knowledge of the plot and having only seen the poster for the film. Going in really on faith alone that it would be amazing seemed to really stimulate my imagination so you dear reader may want to turn back now and enjoy that same feeling. Though there aren’t any spoilers here, even the analysis of Summer Wars characters and themes seems like I’m telling you too much if you haven’t already experienced it.

A question I often hear is “Who is going to be the next Hayao Miyazaki, Satoshi Kon, or Mamoru Oshii? Who is going to be the next reliable anime director that people can expect quality films from?” The worry is that as the great anime directors of today retire there will be no one to take their place. I will say with full confidence that Mamoru Hosoda is a name everyone should be watching as a worthy successor to the great anime directors of the past and present. His outstanding work on the 6th One Piece film and The Girl Who Leapt Through Time had caught my eye in the past. And Summer Wars has solidified him as a director I shall go out of my way to research and keep an eye out for what he is doing next.

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