Don’t worry I am still able to podcast and the latest episode of Oldtaku no Radio. I went on with @QX20XX and we talked about the famous/infamous series, Higurashi When They Cry. The series is best known as the horror/mystery series where cute girls murder each other is grizzly ways. I came on the show as someone who watched the series in the past but also played the original visual novel. It is definitely a podcast where three of us found it thought provoking and fascinating and one of us would have rather watched Wild Cardz on loop 50 times rather than watch Higurashi again. Listen to the episode to find how who is who.
In a most unexpected turn of events the Master Keaton manga returns to the pages of Big Comic Original in the form of Master Keaton Remaster. I guess at least some of the rights issues around the original manga have been cleared up because I know for awhile the original manga series was quite expensive due to it being out of print. But now Taichi Hiraga-Keaton is back! He is still an amusing mixture of a loveable loser and an amazingly competent superman all in one package. The series starts not long after the end of the original manga. Keaton is notably more entrenched in his academic career after his recent archeological discovery. But just when he thought he was out of the insurance game for good it draws him back in for what he is told will be one last job.
Of course this being Master Keaton we know that will not be the case. Soon he is investigating ruins, redeeming the honor of a man in a coma, and fighting slaver traders. All for one insurance case. It has all the mature elements that you expect from this manga. The story has a well researched history, a steamy underworld, and characters that show their complexity even if we only know them for a chapter or two. There is rape and sex slave traffic but there is nothing graphic or salacious. It just happens to be a story with the disgusting parts of the sex trade as a piece of it. All the bite of an adult story with none of the guilt.
One of the most interesting parts of any Master Keaton story is the fact that Taichi usually comes is for the climax of a story. He is presented with a case, does a good deal of research to find out what is going on, arrives at the critical moment during the ongoing story to help someone out, and then leaves before the falling action is over. This could be amazingly frustrating if done poorly but Naoki Urasawa does this in a way that merely makes you feel like the stories are and organic part of the world. Taichi does his part, and then leaves, and that is all we see. But we get enough of the story from Taichi’s perspective that it always feels satisfying.
I’m am really glad to see the manga running again. Master Keaton is some of the best bite sized seinen you can find. Hopefully they will work in his daughter soon as she is always a refreshing character. Maybe this renaissance of the series will help get both parts licensed for English. That would be masterful.
I watched the first two episodes of Motorcity, a new Disney DX animated series. It showed a lot of promise and sported some cool animation.
The story revolves around a futuristic Detroit with two levels to the city; the old, underground, and free area known as Motocity; and the modern, controlled, upper Deluxe.
Mike leads a group of car fanatic rebels known as the Burners who are trying to bring down the leader of Deluxe. Mike is pretty interesting as he isn’t a kid, but a 17-year-old who was once being groomed by Deluxe’s leader. Now having defected, he is putting all his skills and some sweet modded cars to use.
Also of interest is Jules a resident of Deluxe who is actually helping them secretly. And she just happens to be the daughter of Deluxe’s dictator. But even the rest of the Burners and Mike don’t know that about her.
Both episodes revolved around some sort of threat being sent down to Motorcity. There was lots of cool machinery and robots and whathaveyou to keep things interesting.
These were great episodes and I can’t wait to continue. Definitely something I’m going to attempt to keep up with. The episodes are streaming on Disney DX’s website so far.
It has been awhile since I saw Last Exile but overall I remember liking the series so I was eager to watch Last Exile: Fam, the Silver Wing. Right off the bat the series reminds you of one thing: Range Murata is definitely a lolicon. Any perusal of one of his Robot art books will remind you of that fact. So when Fam starts the series in her underwear and sleepwalking I am not exactly sure why people were SUPER surprised. It does set an odd precedent as the episodes I have seen since then never have that odd level of fan service again. Perhaps Gonzo thought this was putting their best foot forward but I think most people would disagree. Other than that poor choice it is mostly the Last Exile you remember. Apparently the prediction that moving to an abundant planet would stop the conflicts was optimistic thinking because it seems war had broken out again. But really without giant airship battles I don’t think people would be anywhere near as interested in Last Exile. Since the Guild is no more they don’t have the musket battles but in their place there are air pirates so you can get your Skies of Arcadia grove on. Fans of the original series will notice that Dio is alive and well. Still sort of loopy but definitely calmer. How exactly he survived after Last Exile has yet to be explained (if it will be explained at all.) After three episodes I have yet to make a firm decision on the series. It has a primarily female cast. While there are men the three main characters and primary focus are all young ladies. So that means no wading into harem territory like people accused the series of doing with Claus but it then does lend itself to the yuri subtext being in everything that the world of the pink ghetto casts. Fam and Giselle seem fine with Fam being the spunky one and Giselle being the quiet one. Millia is not only a princess but also a princess character and that means she can be a bit grating. The action has been pretty good so far and the plot has potential. But as far as I can tell the main villain’s problem seems to be that everyone is far too happy and he will not be having that which could lead to a very corny developments. I am interested enough to keep watching but still hesitant to give it a recommendation yet.
As many others did, when I got Sailor Moon vol. 1 I also got Codename Sailor V vol. 1. This was new to me, I knew about it of course and had looked at some of it, but never really got to read it. Having read Sailor Moon first of the two, it put me in the exact mood for the young girl fantasy that is Sailor V. The big difference between these two so far is that Sailor V is decidedly free of any serious romantic entanglements instead focusing on peppy Mina’s daily struggles with classes balanced with sometimes saving the world as a Sailor Guardian thanks to talking cat Artemis. Mina amuses me greatly in her slacker fashion which prefers video games and idols to studying and saving people. Since this is a primer for Sailor Moon you can obviously see a lot of Usagi in Mina but they are still different because Mina is very physically capable. This is also what makes her so fun as she loves kicking baddies once she is roped into caring. Sailor V also becomes something of a legendary icon as the story goes on getting her own video game, fan club, and even a police detective rival among other amusing things. Once she has been in action a while, Mina gets more serious and both her and readers start to wonder who is “the boss” and why Mina was chosen for this role. I am curious to see how this ties in swiftly to Sailor Moon.